Matrix. |16+ |2 Std. 16 Min.|Action-Sci-Fi und -Fantasy Dieser Film ist Matrix Reloaded Matrix Revolutions Spider-Man: Homecoming X-Men. Warum sich Kinofans auf den neuen Film freuen können und weshalb Teil Das von Lana und Lilly Wachowski geschaffene Matrix-Universum. Matrix. +. Matrix Revolutions (2 DVDs). +. Matrix Reloaded (2 DVDs) Obwohl der Film von Keanu Reeves und Laurence Fishburne angetrieben wird, bleibt vor.
Matrix (Film)Matrix 4: Alles zur Fortsetzung mit Keanu Reeves und Carrie-Anne Moss Matrix ist ein Science Fiction-Film aus dem Jahr von Lilly Wachowski und Lana. Matrix. |16+ |2 Std. 16 Min.|Action-Sci-Fi und -Fantasy Dieser Film ist Matrix Reloaded Matrix Revolutions Spider-Man: Homecoming X-Men. The Matrix ist ein amerikanisches Medien-Franchise, das von den Autoren-Regisseuren Wachowskis und dem Produzenten Joel Silver gegründet wurde.
Film Matrix Navigacijski izbornik VideoThis Is What 'The Matrix' Really Looks Like Without CGI!!! - Special Effects Breakdown Hauptseite Themenportale Zufälliger Artikel. Legende: Die Hauptdarsteller des Filmes. Rage Against the Without Remorse. Neu ab Movie Review: A Glitch in the Matrix (Worth the Watch?) The film, which premiered last week at the Sundance Film Festival and will reach theaters and VOD this Friday, takes much of its inspiration. #matrix #matrixTRAILER #matrixOFFICIALTRAILER #matrixTRAILER #matrix4TEASER #KEANUREEVES #matrix4matrix trailer, the matrix, The Matrix, movie trailers. Trivia Was the first Matrix film that planned to film in Chicago, Illinois which is the home of the Wachowski sisters and is the city Edge City from the first three films is based on. However, due to an ever-growing budget in pre-production, the Chicago location was scrapped from the film's shooting itinerary. Home video and television versions released after , most notably The Ultimate Matrix Collection box set, and the Blu-Ray release, have a different color scheme from the theatrical and home video release. The real-world scenes are given a blue tint and scenes within the Matrix have a heavy green tint. The Matrix 4 () cast and crew credits, including actors, actresses, directors, writers and more.
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Official Sites. Company Credits. Top Rated Movies 16 Won 4 Oscars. Edit Cast Cast overview, first billed only: Keanu Reeves Neo Laurence Fishburne Morpheus Carrie-Anne Moss Trinity Hugo Weaving Agent Smith Gloria Foster Oracle Joe Pantoliano Cypher Marcus Chong Tank Julian Arahanga Apoc Matt Doran Mouse Belinda McClory Switch Anthony Ray Parker Dozer Paul Goddard Agent Brown Robert Taylor Agent Jones David Aston Rhineheart Marc Aden Gray Edit Storyline Thomas A.
Taglines: In a world of 1s and 0s Edit Did You Know? Trivia The film bears a couple of similarities to the "Terminator" films: The film takes place in a dark post-apocalyptic future, in which machines have taken over the world.
Morpheus and a band of rebel warriors are fighting to free humanity from the machines and the Matrix computer program.
Neo is believed to be the chosen one who will destroy The Matrix and end the war between man and machine. Neo, Morpheus, and Trinity wear sunglasses and leather outfits.
Trinity rides a motorcycle in one scene. Neo works as an employee of a computer company and is also a computer hacker. Go Interview". Art and Thought.
Oxford: Basil Blackwell, Dick movie , The Toronto Star, Dick's dark dreams still fodder for films , Seattle Post Intelligencer, In the Matrix, the Agents interrogate Morpheus to learn his access codes to the mainframe computer in Zion.
Tank proposes killing Morpheus to prevent this, but Neo resolves to return to the Matrix to rescue Morpheus, as prophesied by the Oracle; Trinity insists she accompany him.
While rescuing Morpheus, Neo gains confidence in his abilities, performing feats comparable to the Agents'. Morpheus and Trinity exit the Matrix, but Smith ambushes and kills Neo before he can leave.
As a group of Sentinels attack the Nebuchadnezzar , Trinity whispers to Neo that he cannot be dead, because she loves him and the Oracle told her she would fall in love with the One.
She kisses Neo and he revives with newfound power to perceive and control the Matrix. He effortlessly defeats Smith, and leaves the Matrix just in time for the ship's electromagnetic pulse to disable the Sentinels.
Later, Neo makes a telephone call inside the Matrix, promising the machines that he will show their prisoners "a world where anything is possible".
He hangs up and flies into the sky. In , the Wachowskis presented the script for the film Assassins to Warner Bros. After Lorenzo di Bonaventura , the president of production of the company at the time, read the script, he decided to buy rights to it and included two more pictures, Bound and The Matrix , in the contract.
The first movie the Wachowskis directed, Bound , then became a critical success. Using this momentum, they later asked to direct The Matrix.
In the Wachowskis pitched the role of Neo to Will Smith. Smith explained on his YouTube channel that the idea was for him to be Neo, while Morpheus was to be played by Val Kilmer.
He later explained that he did not quite understand the concept and he turned down the role to instead film Wild Wild West.
Producer Joel Silver soon joined the project. Although the project had key supporters, including Silver and Di Bonaventura, to influence the company, The Matrix was still a huge investment for Warner Bros.
The cast were required to be able to understand and explain The Matrix. The directors had long been admirers of Hong Kong action cinema , so they decided to hire the Chinese martial arts choreographer and film director Yuen Woo-ping to work on fight scenes.
To prepare for the wire fu , the actors had to train hard for several months. Yuen was optimistic but then began to worry when he realized how unfit the actors were.
Yuen let their body style develop and then worked with each actor's strength. He built on Reeves's diligence, Fishburne's resilience, Weaving's precision, and Moss's feminine grace.
Reeves trained hard and even requested training on days off. However, the surgery still made him unable to kick for two out of four months of training.
As a result, Reeves did not kick much in the film. In the film, the code that composes the Matrix itself is frequently represented as downward-flowing green characters.
This code uses a custom typeface designed by Simon Whiteley,  which includes mirror images of half-width kana characters and Western Latin letters and Arabic numerals.
The code received the Runner-up Award in the Jesse Garson Award for In-film typography or opening credit sequence. The Matrix ' s production designer , Owen Paterson , used methods to distinguish the "real world" and the Matrix in a pervasive way.
The production design team generally placed a bias towards the Matrix code's distinctive green color in scenes set within the simulation, whereas there is an emphasis on the color blue during scenes set in the "real world".
In addition, the Matrix scenes' sets were slightly more decayed, monolithic, and grid-like, to convey the cold, logical and artificial nature of that environment.
For the "real world", the actors' hair was less styled, their clothing had more textile content, and the cinematographers used longer lenses to soften the backgrounds and emphasize the actors.
The Nebuchadnezzar was designed to have a patched-up look, instead of clean, cold and sterile space ship interior sets as used on productions such as Star Trek.
The wires were made visible to show the ship's working internals, and each composition was carefully designed to convey the ship as "a marriage between Man and Machine".
During the testing of a breathing mechanism in the pod, the tester suffered hypothermia in under eight minutes, so the pod had to be heated. Kym Barrett , costume designer, said that she defined the characters and their environment by their costume.
The actors needed to perform martial art actions in their costume, hang upside-down without people seeing up their clothing, and be able to work the wires while strapped into the harnesses.
The sunglasses, a staple of the film's aesthetics, were commissioned for the film by designer Richard Walker from sunglasses maker Blinde Design.
All but a few scenes were filmed at Fox Studios in Sydney, and in the city itself, although recognizable landmarks were not included in order to maintain the impression of a generic American city.
The filming helped establish New South Wales as a major film production center. Due to Reeves's neck injury, some of the action scenes had to be rescheduled to wait for his full recovery.
As a result, the filming began with scenes that did not require much physical exertion,  such as the scene in Thomas Anderson's office, the interrogation room,  or the car ride in which Neo is taken to see the Oracle.
The bullet-time fight scene was filmed on the roof of Symantec Corporation building in Kent Street, opposite Sussex Street. Moss performed the shots featuring Trinity at the beginning of the film and all the wire stunts herself.
She stated that she was under a lot of pressure at the time and was devastated when she realized that she would be unable to do it. The dojo set was built well before the actual filming.
During the filming of these action sequences, there was significant physical contact between the actors, earning them bruises. Reeves's injury and his insufficient training with wires prior to filming meant he was unable to perform the triple kicks satisfactorily and became frustrated with himself, causing the scene to be postponed.
The scene was shot successfully a few days later, with Reeves using only three takes. Yuen altered the choreography and made the actors pull their punches in the last sequence of the scene, creating a training feel.
The filmmakers originally planned to shoot the subway scene in an actual subway station , but the complexity of the fight and related wire work required shooting the scene on a set.
The set was built around an existing train storage facility, which had real train tracks. Filming the scene when Neo slammed Smith into the ceiling, Chad Stahelski , Reeves's stunt double, sustained several injuries, including broken ribs , knees, and a dislocated shoulder.
Another stuntman was injured by a hydraulic puller during a shot in which Neo was slammed into a booth. The helicopter was a full-scale light-weight mock-up suspended by a wire rope operated a tilting mechanism mounted to the studio roofbeams.
The helicopter had a real minigun side-mounted to it, which was set to cycle at half its regular rounds per min firing rate.
To prepare for the scene in which Neo wakes up in a pod, Reeves lost 15 pounds and shaved his whole body to give Neo an emaciated look.
The scene in which Neo fell into the sewer system concluded the principal photography. As for artistic inspiration for bullet time, I would credit Otomo Katsuhiro , who co-wrote and directed Akira , which definitely blew me away, along with director Michel Gondry.
His music videos experimented with a different type of technique called view-morphing and it was just part of the beginning of uncovering the creative approaches toward using still cameras for special effects.
Our technique was significantly different because we built it to move around objects that were themselves in motion, and we were also able to create slow-motion events that 'virtual cameras' could move around — rather than the static action in Gondry's music videos with limited camera moves.
The film is known for popularizing a visual effect  known as " bullet time ", which allows a shot to progress in slow-motion while the camera appears to move through the scene at normal speed.
When John Gaeta read the script, he pleaded with an effects producer at Mass. Illusion to let him work on the project, and created a prototype that led to him becoming the film's visual effects supervisor.
The method used for creating these effects involved a technically expanded version of an old art photography technique known as time-slice photography, in which an array of cameras are placed around an object and triggered simultaneously.
Each camera captures a still picture, contributing one frame to the video sequence, which creates the effect of "virtual camera movement"; the illusion of a viewpoint moving around an object that appears frozen in time.
The bullet time effect is similar but slightly more complicated, incorporating temporal motion so that rather than appearing totally frozen, the scene progresses in slow and variable motion.
Instead of firing the cameras simultaneously, the visual effect team fired the cameras fractions of a second after each other, so that each camera could capture the action as it progressed, creating a super slow-motion effect.
Because the cameras circle the subject almost completely in most of the sequences, computer technology was used to edit out the cameras that appeared in the background on the other side.
The photo-realistic surroundings generated by this method were incorporated into the bullet time scene,  and algorithms based on optical flow were used to interpolate between the still images to produce a fluent dynamic motion;   the computer-generated "lead in" and "lead out" slides were filled in between frames in sequence to get an illusion of orbiting the scene.
Manex also handled creature effects, such as Sentinels and machines in real world scenes; Animal Logic created the code hallway and the exploding Agent at the end of the film.
DFilm managed scenes that required heavy use of digital compositing, such as Neo's jump off a skyscraper and the helicopter crash into a building.
The ripple effect in the latter scene was created digitally, but the shot also included practical elements, and months of extensive research were needed to find the correct kind of glass and explosives to use.
The scene was shot by colliding a quarter-scale helicopter mock-up into a glass wall wired to concentric rings of explosives; the explosives were then triggered in sequence from the center outward, to create a wave of exploding glass.
The photogrammetric and image-based computer-generated background approaches in The Matrix ' s bullet time evolved into innovations unveiled in the sequels The Matrix Reloaded and The Matrix Revolutions.
The method of using real photographs of buildings as texture for 3D models eventually led the visual effect team to digitize all data, such as scenes, characters' motions and expressions.
It also led to the development of "Universal Capture", a process which samples and stores facial details and expressions at high resolution.
With these highly detailed collected data, the team were able to create virtual cinematography in which characters, locations, and events can all be created digitally and viewed through virtual cameras, eliminating the restrictions of real cameras.
Dane A. Davis was responsible for creating the sound effects for the film. The fight scene sound effects, such as the whipping sounds of punches, were created using thin metal rods and recording them, then editing the sounds.
The sound of the pod containing a human body closing required almost fifty sounds put together. The film's score was composed by Don Davis.
Davis focused on this theme of reflections when creating his score, alternating between sections of the orchestra and attempting to incorporate contrapuntal ideas.
Davis' score combines orchestral, choral and synthesizer elements; the balance between these elements varies depending on whether humans or machines are the dominant subject of a given scene.
Worldwide, it was the fourth highest-grossing film of the year. The Matrix was praised by many critics, as well as filmmakers, and authors of science fiction,  especially for its "spectacular action" scenes and its "groundbreaking special effects".
Some have described The Matrix as one of the best science fiction films of all time;   Entertainment Weekly called The Matrix "the most influential action movie of the generation".
The site's critical consensus reads, "Thanks to the Wachowskis' imaginative vision, The Matrix is a smartly crafted combination of spectacular action and groundbreaking special effects".
Jonathan Rosenbaum of the Chicago Reader reviewed the film negatively, criticizing it as "simpleminded fun for roughly the first hour, until the movie becomes overwhelmed by its many sources There's not much humor to keep it all life-size, and by the final stretch it's become bloated, mechanical, and tiresome.
Ian Nathan of Empire described Carrie-Anne Moss as "a major find", praised the "surreal visual highs" enabled by the bullet time or "flo-mo" effect, and described the film as "technically mind-blowing, style merged perfectly with content and just so damn cool".
Nathan remarked that although the film's "looney plot" would not stand up to scrutiny, that was not a big flaw because " The Matrix is about pure experience".
This dazzling pop allegory is steeped in a dark, pulpy sensibility that transcends nostalgic pastiche and stands firmly on its own merits.
Salon ' s reviewer Andrew O'Hehir acknowledged that although The Matrix is a fundamentally immature and unoriginal film "It lacks anything like adult emotion In a limited and profoundly geeky sense, this might be an important and generous film.
The Wachowskis have little feeling for character or human interaction, but their passion for movies —for making them, watching them, inhabiting their world—is pure and deep.
Filmmakers and science fiction creators alike generally took a complimentary perspective of The Matrix.
William Gibson , a key figure in cyberpunk fiction, called the film "an innocent delight I hadn't felt in a long time," and stated, "Neo is my favourite-ever science fiction hero, absolutely.
Night Shyamalan expressed admiration for the Wachowskis, stating, "Whatever you think of The Matrix , every shot is there because of the passion they have!
You can see they argued it out! The Matrix seemed fresh and cool and visually breathtaking; making wonderful, intelligent use of CGI to augment the on-screen action, striking a perfect balance of the real and the hyperreal.
It was possibly the coolest film I had ever seen. The influx of martial-arts choreographers and fight coordinators now make more, and are more prevalent and powerful in the industry, than stunt coordinators.
The Matrix revolutionized that. In March , The Hollywood Reporter wrote that Warner Bros. Jordan attached to star.
Neither of the Wachowskis were involved at that stage, although the studio had hoped for their blessing.
The film was officially announced by Warner Bros. Lana Wachowski would return as sole director, with Reeves and Moss confirmed to reprise their roles.
The script was written by Wachowski, David Mitchell , and Aleksandar Hemon , who had previously written the series finale of Sense8 together.
Lilly Wachowski was not involved with the film due to work on the Showtime series Work in Progress , but gave her blessing to those involved to come up with a story even "better than the original.
Toll had previously acted as cinematographer for the Wachowskis on Cloud Atlas , Jupiter Ascending and Sense8. Jada Pinkett Smith entered negotiations to reprise her role as Niobe , with Jessica Henwick entering negotiations to join in an undisclosed role.
Smith and Ellen Hollman. Under the code name "Project Ice Cream", the film began production in San Francisco on February 4, On March 16, , production on the film was halted due to the COVID pandemic.
On January 16, , Warner Bros. The film was initially set for release on May 21, , which would have premiered alongside John Wick: Chapter 4 also starring Keanu Reeves.
Pictures' plans for all of its films. From Wikipedia, the free encyclopedia. Redirected from The Matrix: Resurrections film.
Please do not move this article until the discussion is closed. Lana Wachowski Grant Hill. Lana Wachowski David Mitchell Aleksandar Hemon. Keanu Reeves Carrie-Anne Moss Jada Pinkett Smith Lambert Wilson Daniel Bernhardt.
Village Roadshow Pictures Wachowskis Productions Silver Pictures. Release date. Archived from the original on May 1, Retrieved August 20, Archived from the original on February 28, Retrieved February 27, Deadline Hollywood.
Retrieved January 19, Archived from the original on March 19,Patří mezi ně i Matrix, generační film všech hackerů, počítačových hráčů, cyberpunkerů, neuromantiků a postmodernistů narozených na konci století. Jakkoliv jsem osoba relativně mladá (), jsem přesvědčen o tom, že během mého života nebude natočen lepší snímek, než je Matrix%(K).